Thursday, 27 August 2015

Phillips - Joana Vasconcelos: Material World

Joana Vasconcelos: Material World was exhibited at the Phillips gallery in Mayfair, London. The exhibition was held from 15 July to 28 August 2015. The exhibition features sculptures of her textured works which brought her to prominence during the 51st Venice Biennale. The exhibition is to coincide with Joana Vasconcelos’s Thames and Hudson monograph book.

The exhibition features bold, playful and a very colourful work to crochet coming together to form a unique style of sculptures. One large behemoth of a piece featured is Material Girl, brings not only to mind of Madonna’s hit singles back in the 80’s and among many at the exhibition, a real gem to behold.
Material Girl
It’s a take on it would seem that Joana Vasoncelos through the fabrication of the materials to form sculptures, making a statement on what she perceives as “Material World”. It almost like an alien world capturing different details playing on what’s familiar but bringing out a whole different side, witnessed in New Wave which employs LED lights, cushions and a picture frame. There’s also a section of ceramic animals showing Vasconcelos’s resilience in showing her art in different forms of animal snapshot poses with her signature spin. She can also inject some fun and humour into her work with Tea for Two, which is a double urinal coated in crochet.
Imperial
Glasshouse
Tea for Two
New Wave
Arthur
Merlin
#MaterialWorld

Wednesday, 26 August 2015

Carting Lane - London's Last Sewer Lamp

Round the corner from the Savoy Hotel is Carting Lane, which is best known as “Farting Lane” made famous by the Sewer Lamp suspended in between the Strand and Victoria Embankment Gardens. It is said that the lamp is the last surviving Victorian sewage lamp.

The lamp was made by Joseph Webb as a Webb Patent Sewer Lamp in the late 19th century. It was then partly powered by the town’s gas supplies and partly powered by - ahem - the methane gas collected from waste from the sewage system running through the Savoy Hotel. A good invention at the time as it - like a candle - burned off the smell of the sewage and germs as well as providing light to the street. The lamp is hollow so that the gas can travel up the lamp to keep it alight. The lamp itself now only runs on gas.
Some time ago, a lorry reversed into the lamp causing a haphazard to pedestrians so it was closed off. It was restored by Thames Gas engineers and is now protected by the London council of Westminster.


#FartingLane

Tuesday, 25 August 2015

Southbank Centre - Love and Liquid Fire

The Love and Liquid Fire installation is an exhibition part of the Southbank Centre's Festival of Love. The works were created by Chris Bracey who is known for his neon sign works in God's Own Junkyard and neon lights in Soho, London. The installations are there from the 6 June to 31 August 2015.
Part of the exhibitions show early works and pictures of his life, which include ones from when he was a young man. There are conceptual and initial designs of works of his such as The Globe which was commissioned for the 2012 London Olympic Games as well as images of his neon signed featured in Stanley Kubrick's Eyes Wide Shut, Judge DreddBatman and the ultra camp Superman III. Another cabinet shows his works that his done for the fashion Company, Mulberry. 
The installations on shows neon signs in all shapes and forms exploring the different side of love such as "PRIDE", "Passion" as well as "Heartbreak Hotel". The letterings in bold and striking fonts and colours playing on the different forms that it takes forming an universal beauty and appeal to them. The neon stands are surrounded by remnants of photographs and objects giving the exhibition more of a personal touch to them.
#SouthbankforLove

Monday, 24 August 2015

Somerset House - Summer Screen Film Poster Exhibition 2015

The Summer Screen Film Poster Exhibition in its third year is held in the West Wing Gallery of Somerset House from 30 July to 23 August 2015. It celebrates through illustrations and graphic design of posters inspired by films being shown at this year’s Film4 Summer Screen held in the courtyard of Somerset House. It is presented by both Somerset House and Print Club London.
Asides from the prints on display, there is a makeshift television screening the behind-the-scene footage of creating the poster designs by different artists.
The exhibition has in total 15 limited editions screen prints which are available for purchase. There are 200 prints of each design at the exhibition on Print Club London’s website. 
Cassandra Yap - True Romance
Concepción Studios - Roman Holiday
Rose Blake - West Side Story

Joe Wilson - Princess Monoke
Joe Vass - The Warriors
Steven Wilson - An American Werewolf in London
Ben Rider - Aguirre, Wrath of God
Barry Leonard - Me and Earl and the Dying Girl
Rose Stellar - Do the Right Thing
Peter Strain - The Silence of the Lambs
Ministry of Love - The Second Mother
Holly Wales - The Graduate
Claudia Borfiga - Last of the Mohicans
RYCA - Withnail & I
#summerscreenprints

Sunday, 23 August 2015

Society of Antiquaries of London - Magna Carta Through the Ages

Magna Carta Through the Ages is an exhibition at the Society of Antiquaries of London held on 26 May to 31 July 2015. Conservations work were done on the 1215 draft and 1225 reissue of the Magna Carta by the Bank of America Merrill Lynch Global Art Conservation Project, which is shown in this exhibition. The exhibition showcases three lots of Magna Carta and its reiterations, giving the history behind them.

Magna Carta Through the Ages

In January 1215, key members of the Baronial Elites demanded the reissue of the Coronation Charter that was created by Henry I which aimed to “abolish evil customs by which the kingdom of England has been unjustly oppressed”. King John at the time tried to find a leeway so said to them that he would make a decision on “Law Sunday” on 26 April (first Monday after Easter). King John and those that opposed him approached Pope Innocent to seek support from the Pope. The Pope, however, got behind King John which caused a rift between the King and Barons.
On 5 May 1215, the Barons performed the ceremony of diffidatio thus cutting ties with the king. A siege of sorts occurred when the citizens of London open the gates to the Barons with the latter declaring that they will not make peace until both parties came to an agreement. King John finding no way out agreed to the reissue of the charter.

In May 1215, the Barons were no longer happy with the reissue as well as growing demands wanted charters to be created for the Barons. Their demands were recorded first in the Unknown Charter (mid-late May) and the Articles of the Barons (10 June). In them, further changes were made with particular grievances addressed such as service in the King’s army in Poitou and raising of the war tax (also known as scutage). They Barons wanted to limit the King’s power so that he can rule accordingly to the law so the security clause was introduced (C. 49 in Articles of the Barons and C. 61 in the Magna Carta). The clause states that the King must follow the terms of the agreement even if he is reluctant to do so. Final terms of agreement were done during, what was known as Runnymede, which ran from 15 to 19 June.

The Black Book of Peterborough

A discarded draft of the Magna Carta was sent to Peterborough Abbey. The text was reproduced to become the Cartulary, which also contained information relating to the Abbey’s land. Upon the dissolution of the monasteries in 1538, a lot of the land was seized by ther King. Some of the land was given to William Cecil, who also obtained the Black Book of Peterborough, and some others were given to Baron Burley, who established the fist most famous and politically influential dynasty.

In 1778, Brownlow Cecil, ninth Earl of Exeter, donated the Black Book of Peterborough to the Society of Antiquaries of London as well as the English translation of the book. The Black Book has remained with the society ever since then. The society expressed the gratitude for his generosity saying Cecil “expressed their most respectful acknowledgements and thanks to his Lordship for his very curious and valuable present.

The Great Seal of the Magna Carta

King John did not sign any of the Charters, instead authrorised his Chancellor to mark it with the Great Seal so as to officiate the documents. 1 of 4 1215 Magna Carta with the Great Seal survived but was horrendously damaged in a fire in 1731.

In 1733, John Pine engraved the writing of the original Magna Carta in a readable format so that the text itself was preserved. He created a depiction of the seal and recreated the 25 coats of arms of King John’s Batons which encased the text. This was obtained by the Society of Antiquaries of London in 1842. The exhibition only contained later copies so they would not have been stamped.

Halesowen Abbey Scroll

The 1215 Magna Carta was almost annulled by the Pope but a reissue by the minority government of King John’s son Henry III in 1216 and 1217. In 1225, Henry III come of age and was able to issue a definitive Magna Carta. He issued a contemporary which is believed to have come from the Halesowen Abbey. It became a companion to the 1217 Magna Carta which included the Charter of the Forest which included the government of royal forests. The Halesowen Abbey was founded by Peter des Roches, Bishop of Winchester, who formed the early foundation for the basis of Henry III. The monks created their own Magna Carta which could be somehow connected to Henry III’s connection to the Bishop.

In 1558, the scroll was acquired by the Lyttelton family. Bishop Charles Lyttelton was elected as a Fellow of the Society of Antiquaries of London and became president in 1765 until death. He left the scroll to the society upon his death.

A Debate between Fellows

William Blackstone, who was a lawyer, wrote The Great Charter and Charter of the Forest which differentiated all the different Magna Cartas. This eventually led to his recommendation for election as a Fellow of the Society and his recommendation said that he was “particularly skilful in the legal and historical Antiquaries of our country”.

Bishop Lyttelton allowed Blackstone to view the Halesowen Abbey Scroll and then his private collection. Their relationship was not always rosy as Blackstone accused the scroll as not of the original. In January 1761, he wrote a paper defending his decision.
In 1762, he was elected as a Fellow of the society and yet again presented a paper that the scroll was not the original saying he had “decisive proof, or at least a violent presumption, that this Roll never passed the Great Seal”.

The Hart Book of Statutes

The 14th century volume is a collection of statutes of written laws brought together by the country’s legislative body but it is not known who commissioned this piece. It was compiled for use by the lawyers and administrator. Henry III’s 1225 Magna Carta and Charter of the Forest is incorporated in the Hart Book of Statutes showing the importance and how accepted the Charter was. It was exhibited and presented by Wulliam Henry Hart to the Society on 6 March 1862.

Presented on the side of the book are two examples of 16th Century printed editions of the Magna Carta. One from 1508, which is the first printed edition of the Magna Carta created by Richard Pynson and is possibly donated by John Bruce. The other is of Richard Pynson’s rival Robert Redman who created the first English translated edition of the Magna Carta with the copy in the exhibition possibly donated by Dr Edwin Freshfield.
#MagnaCarta

Saturday, 22 August 2015

Lonely Planet - World Landmark Sand Sculptures

To celebrate the launch of Lonely Planet's Ultimate Travels, 3 sculptors take to Peter's Hill between the St. Paul's Cathedral and the Millennium Bridge to create 5 sand sculptures of world landmarks over a course of 5 days from the 18 August 2015.

Lonely Planet's Ultimate Travels ranks 500 places to visit in a lifetime for avid travellers, so what would be more fitting for 5 world landmarks to be created from sand. Competitions ran daily as to what landmark was being created for a chance to win a copy of the book.

The landmarks are as follow:

1. The Great Pyramid of Giza
2. Sydney Opera House
3. Temples of Angkor
4. Leaning Tower of Pisa
5. Taj Mahal
#SandyPlanet

Friday, 21 August 2015

Barbican Centre - Aaron Koblin and Ben Tricklebank: Light Echoes

Light Echoes is shown in the Curve gallery in the Barbican Centre between 27 June to 6 September 2015. The installation is created by Aaron Koblin and Ben Tricklebank. The installation creates an environment that “plays with time, space and sensory perception”.

Employing laser projections, the installation sends out intervals and a wall of light as it slowly shifts through the Curve. The piece itself feels like a pilgrimage as you slowly follow the light as you pace the sands under you with ominous music playing in the foreground. The installation finishes with a still video of what was captured during the journey.
 
#LightEchoes