Wednesday, 7 October 2015

Trafalgar Square - Britain's Smallest Police Station

One of the things that may be overlooked in Trafalgar is Britain’s smallest police station. Located in the south-east corner of the square, the police station has quite a touch-and-go history.

A temporary police station was placed outside the tube station entrance at Trafalgar Square at the end of the First World War. Plans were put into place to renovate and make the police station permanent but was met with objections from the public. What they did was to make a lamp post that was hollowed out adding in window slits and light fittings.

This installation was finished in 1926 with the purpose for the Metropolitan Police to observe demonstrations and protests, especially in that year was the general strike. There were claims that the window slits were put in place as to fire out at rioters who got out of hand. It is also said that there was a direct phone line in the police station that was able to link directly to Scotland Yard should there be any trouble. Not only that, each time the phone was used, the light fitting fixed atop would light up alerting nearby officers of impending troubles in the vicinity.

From the pictures below, you can see an ornamental light on top of the police station which is said to be from Nelson’s HMS Victory. The police station now is now used as a cleaning facility cupboard, which has come a long way since the conception in 1926.



Tuesday, 6 October 2015

Instagram September 2015

A photo posted by The Vinh Hoang (@thevh5) on





Monday, 5 October 2015

The Barbican Muse

The Barbican Muse is a sculpture suspended near the entrance to the Barbican Centre. Commissioned by Theo Crosby in 1993, the 6.1 metres long sculpture created by Matthew Spender, features a woman holding tragedy and comedy masks. It was installed in 1994 as to “float, glow and point the way” for visitors to get to the Barbican from the walkway from Moorgate Station. It was cast in fibreglass and gilded after.

#BarbicanMuse

Monday, 21 September 2015

King's Cross Bee Trail

The King’s Cross Bee Trail created in conjunction with the Honey Club was hosted around the surrounding areas in King’s Cross from 5 August to 21 September 2015. The trail aims to educate on how we can help bees raise in numbers, get us closer to them and do some bee spotting.
 
The trail starts off in Granary Square where we learn about the problem behind the number of bees falling. The main issue with urban environments such as London do not allow bees to thrive as they may not find enough places to collect pollen from plants as well as little places for them to live. 97% of wildlife meadows have disappeared resulting from modern farming and urbanisation in the UK since 1945. Without any places to forage, there is no food supply for bees, which spells trouble for us as they help pollinate two thirds of our food as well as bringing the whole ecosystem to slowly disintegrate.
 
Hyssops, a culinary herb, can be found running along the restaurants’ sides in Granary Square from July to September.
 
This segment allows participants to look for bees within an area of forage at Camley Street wild patch picking a spot about 2 metres squared with 30 seconds to complete the activity. The different bees to spot are the honey bee, the buff-tailed bumblebee, the common carder bee and the leafcutter bee. The bees counted would be collected into a database. This activity unlocks vouchers to restaurants Dishoom and the Grain Store.
 
3. Handyside Gardens (south)
This part of the trail follows on from the previous with another 30 seconds challenge of counting the bees spotted in plots of plants lined up along this side of the Garden. This activity unlocks voucher to the Greek Larder and Rotunda.

4. Handyside Gardens (north)
Bees only eat nectar and pollen from plants, which they feed on from early spring to late autumn. The Honeybees like simple daisy-like flowers. Some bees may have long tongues which are used to drink nectar from tubular flowers.
 
Bees won’t like certain things such as double-headed flowers which they find difficulty in getting the pollen and nectar. Pelargoniums which are often mis-sold as geraniums are sterile and should be replaced by true geranium for pollen and nectar. Weed killers and pesticide should not be used as they are linked to bee deaths worldwide.
 
Ways to help bees out are first-off to plant bee-friendly plants in gardens, window boxes, pots and hanging baskets. Allow the growth of flowers, vegetable bolt and dandelions in the lawn as well as wild patches and a tree for bees to forage. Not only can we do our bit but we can also put the word forward to councils and landscape managers to plant bee-friendly plants and trees.
 
5. King’s Cross Pond


This part of the trail explores beekeeping and the importance of it. A beekeeper can manage up to a colony of 50,000 honeybees. They create honey for food during the winter season which are harvested for us to eat. You can enrol on a course with a local beekeeping association or mentor which can be found on the British Beekeeping Association and Urban Bees.
 
Bees pollinate a high number of foods that we eat which include fruits, vegetables, nuts and seeds, as well as coffee and chocolate. Birds rely on them as they feast on berries and nuts, showing the importance of bees to the ecosystem.
 
The changing landscape is leading to a decline of places for bees to feed and live, but King’s Cross which is going through many developments at the moment, are keeping sustainability key in their development. They have created green roofs and tree planting schemes, which will benefit both bees and people. Even the trains are doing their bit by carrying a varied amount of different pollens into the city which contribute to the diverse state of habitats for bees.
 
6. Viewing Platform
Another 30 seconds bee count challenge at the wild patches found skirting along the bottom of the viewing platform near King’s Cross Pond. This unlocks a voucher for Skip Garden.
 
7. Skip Garden
The last part of the trail ends at Skip Garden. Bees are under threat as there are less places that are undisturbed and solitary wastelands for wild bumblebees to nest. There are many places where bees can live such as man-made hives, holes in the ground, old animal nests, pile of leaves and bird boxes. Ways to create homes for bees can be found at beeconservation.org and urbanbees.co.uk.
 
The app is available for download on Apple and Android devices and uses Bluetooth technology to connect to the hotspots to unlock the content at each stop. Alternatively, codes can be found at each stop which can be inputted into the app. I hope they bring this back as a permanent fixture as the trail is of course very enlightening about how our interactions can help bees grow and thrive.
#KXBeeTrail

Tuesday, 1 September 2015

Southbank Centre's Festival of Love - Jim Broadbent: The People

For Southbank Centre’s Festival of Love, Jim Broadbent created a quirky installation of 21 wooden figures, as they dress in ordinary clothing, and have real human hair. Each figure looks off into the distance, which Broadbent seeing each one’s vulnerability, sadness but with defiance. The installation was there from 6 June to 31 August 2015.
Work started on the installation when Broadbent saw a block of wood with a branch sticking out which resembled to him as eyes and a nose. The works were inspired by carved figures he saw in the Cluny museum in Paris, which gave him freedom to do the work not to a standard of perfection or even near to finished. He took this approach to the paint as he coated them crudely and applied human hair that were cut from wigs. The figures do not have any names but said that the work as a whole can easily be named something else than The People, such as characters or family.
“I have a feeling that there is something about the obvious imperfections of the ‘people’ I have made that engages out sympathy and somehow makes us love them.” – Jim Broadbent
#SouthbankForLove

Sunday, 30 August 2015

Heartbeat - Charles Pétillon

10,000 balloons float in Covent Garden Piazza as Charles Pétillon brings his Heartbeat art installation to the Square. The installation was unveiled on 27 August and will be there until 27 September 2015.
The installation is inspired by Covent Garden’s heritage, pioneer in being the first public space as well as the liveliness of the West End. The white light that pulsates from the balloons represent the history, change and energy of the area. The installation took 25 people over 5 nights to install which measures at 54 metre long and 12 metre wide.
“The balloon invasions I create are metaphors. Their goal is to change the way in which we see the things we live alongside each day without really noticing them. With Heartbeat I wanted to represent the Market Building as the beating hear of London’s lie. Each balloon has its own dimensions and yet is part of a giant but fragile composition that creates a floating cloud above the energy of the market below. This fragility is represented by contrasting materials and also the whiteness of the balloons that move and pulse appearing as alive and vibrant as the area itself.” – Charles Pétillon
Around the corner in Unit 5 of the Royal Opera House Arcade is a pop-up gallery of Charles Pétillon showcasing photographs and other works.

#CoventGardenBalloons

Saturday, 29 August 2015

Frith Gallery - Chen Zhen

A Chen Zhen exhibition was held at Frith Street on Golden Square, London. The exhibition was held on 7 July to 14 August 2015. Chen Zhen is known as one of the leading figures in Chinese Avant-Garde.
 
The first piece I came across in the exhibition is the Autel (Alter) Series which explores the artist’s experiences of the consumer society. The most prominent piece which is most striking is of the red ball which is a meteorite encased in Bauxite ore. Objects beside it shows the sacrifice of the consumer object as it gives itself to the birth and death represented in the meteorite.
 
The next installation is the Cocon du Vide (Empty Cocoon) which resembles both a “cocoon” and someone bent down in prayer. The installation is made with threads of prayer and abacus beads with a child’s toy in the centre made with a shell case and ammunitions. The title seems to suggest with the work the idea of rebirth and growth, especially with the juxtaposition between the toy and the cocoon casing.
 
On a table has atop the Crystal Landscape of Inner Body, made with glasswork, forms organs made up in the human body. Each piece also takes on a symbol of the 12 astrological signs.

Instrumental Musical is a series of works made up of traditional Chinese chamber pots. It is associated with the sound of cleaning, which is linked to Chen Zhen’s experiences in the Chinese Cultural Revolution.

Un-interrupted Voice is are percussion instruments made from beds and chairs from around the world. The work is connected to the ideology of Buddhists would rather be beaten than speak out openly about faith. The drumstick, made from police batons, are to strike the instruments as a way of self-awareness or “drumming an awakening of the mind” and is not to imply any form of real violence.
 
Lands-Objectscape has these desolate settings illustrated with everyday objects in glass “coffins” to signify victims of the consumer society.

Hung from the ceiling is Lumière Innocente (Innocent Light) which is of a child’s bed which shares the same feel of Cocon du Vide.
“A child’s bed hanging in space … A transparent organic form … A silent life attached to a thread in the void, nascent and vanishing. A cocoon of light …” Chen Zhen describing Lumière Innocente
 #ChenZhen

Friday, 28 August 2015

Richard Saltoun - David Hall: Situations Envisaged

David Hall’s Situations Envisaged came to the Richard Saulton gallery from 17 July to 14 August 2015. The exhibition was curated by Stephen Partridge in consultation with Caroline Irving, Anna Ridley, Adam Lockhart as well as Hall’s daughter Debi Hall. The exhibition showcases the different mediums Hall uses for his art through video, photograph and installation.
Vidicon Inscriptions: The Tape shows the Hall’s approach to video experiementation with the video as it registers the motion of a polaroid shutter as it burns on to a “vidicon” tube.
The other video shown in the exhibition is the TV Fighter (Cam Era Plane) which creates a seamless connected timeline between two videos of a footage of a World War II fighter target image against another image. The overlap presents the past with the present seemingly allowing the two images coincide together as if they are both travelling together in a vacuum.

Displacement (Removal Piece) is an image of a photograph of an image of a reproduced installation of Hall’s work “removal” which was done by sanding down the gallery floor.

The Richmond Park Series are a series of 5 black and white photographs he took in Richmond Park in London.

Cinema is a series of 5 films: Actor, Between, Edge, This Surface and View. The films were made with Tony Sinden and were exhibited at Tate in 1974. Through the shaping of traditions and techniques of film, the films explore the comparison between the materiality of the screen to the image that is being projected.
A Situation Envisaged: The Rite II (Cultural Eclipse) is part of the Situation Envisaged Series, which was started in 1978. It was shown in an exhibition Video Positive ’89 held at Tate Gallery Liverpool. The installation is made up of 15 monitors stacked together with the centre TV monitor broadcasting an image of the moon, with the sounds provided by David Cunningham.
“Striking in its prescient re-interpretation of both the Minimalist Sculpture of the 1960s, of which Hall was part of, and the post-Minimalist artistic hybridity of the 1970s, which he helped to create” – Chrissie Isle on A Situation Envisaged
#SituationsEnvisaged