Apps can be accessed from the Start Screen or the Apps View
on Windows 8.1 and can be “snapped” side by side or take up the whole screen. Apps
can be downloaded from the App Store. To close the app, either go to the
top-right of the screen and hover until an “x” for closing the app pops up or
swipe from the top of the screen and head down to the bottom of the screen.
In the Charms bar, the options would be tailored to that
specific app. Tuesday, 19 July 2016
Tech Talk: Windows 8.1 - Apps
With the introduction of Windows 8 comes apps which is not
to be confused with the traditional applications found on desktops but rather
one that opens up to the whole screen or a module of the screen in a “metro”
style.
Monday, 18 July 2016
Jonathan Kennedy Enyim-Otebil & How About Studio - Artic Love, Just You and Me
With over 100 applicants for the Design Challenge, Jonathan
Kennedy Enyim-Otebil was chosen as the winner and is exhibited as part of the
Festival of Love. The work is being displayed from 9 July to 30 September 2016.
Situated in Southbank Centre Square, the work brings up
ideas of love, friendship and sustainability as inspired an image of two polar
bears to form a pavillion. The work includes braille for the enjoyment of
visitors. The pavilion forms a canopy of two abstract polar bears.
The work was brought to life with Nick Wood from How About
Studio to bring together the designs from the proposal into reality.Star Log Entry 9: London Pride, Ghostbusters and Summer Streets
London Pride
It’s my first year being a senior steward at Trafalgar
Square seeing that I’ve done general stewarding for the previous 4 years and
this was a chance for me to push myself that extra mile to see what I was capable
of. I had an absolute brilliant team this year with everyone doing a super long
shift from 11am to 8pm, marking the first year I’ve been in a team that did not
have team members leave, which I was absolutely proud of. They all done a damn
good job at it!
A lot of care and work is needed to put into events which I didn’t
realise when I was stewarding generally. But I guess it is because it is in
light of recent events such as Brexit that the level of rowdiness may have
increased.

This year’s pride fell on the Orlando shooting with many
tributes and talks focussing on universally bringing the love and support on
the tragedy. 2 minute silence was held out of respect for the victims and their
loved ones.
Ghostbusters
My sister Ann invited me to go watch Ghostbusters with her.
It was an early preview and e-mail stated we had to be there at 3:45pm as film
is to promptly at 4pm with no advertisements shown. She was late as she forgot
to bring her glasses with her. By the time she arrived, it was 4pm and I texted
her beforehand that we can go somewhere to sit down and have a chit chat if she
was late. But I thought it was very much worth asking anyway and the film didn’t
even start! They were still letting people in halfway through the film so I’m
guessing we were more than fine anyway.
The film was one hell of a film and my sister and I just
looked at each other once the credits started rolling nodding to acknowledge
what good of a film it was. You can read my RE:VIEW I did of the film earlier in the
week.
Asides from that, Ghostbusters took over Waterloo Station
with slime coming down from the ceiling and Stay Puft Marshmallow Man coming up
from the ground.
Summer Streets 2016
It’s that time of the year again with Sundays of July
blocked off from traffic to bring Summer Street to Regent Street. This year so
far brings “Transport by Design”, “Health and Lifestyle” and “Garden Party”Saturday, 16 July 2016
The City Centre: Rebecca Louise Law - City Garden
The City Garden is a floral installation held at the City Centre at the Guildhall. Working together in partnership is the City of London Corporation and artist Rebecca Louise Law to create this installation. It forms as part of the first public art installation at the City Centre. The exhibition is sponsored by The London Wall Place Partnership. The exhibitions runs from 23 April to 25 September 2016.
34 gardens in the City were used to garner the 33,000 flowers used for the exhibition and was inspired by the 200 open spaces in London. The space occupies that were installed fresh and kept up with entwined copper wires. The installation is accompanied by 2 films.
Apart from triggering my hay fever in sneezing several times, I could not help but marvel at the beauty of the natural process of it withering away as it dries out and preserves. I couldn’t say whether all the 33,000 were intact but it did look slightly more depleted to images I’ve seen of it beforehand. Funnily enough, Ed who came with me recognised the artist as being one of his friend’s friend.
There is an app available that has a trail of all the 34 gardens with information on each one. The app is available on Apple App Store.
The following are images taken on 16th July 2016:
34 gardens in the City were used to garner the 33,000 flowers used for the exhibition and was inspired by the 200 open spaces in London. The space occupies that were installed fresh and kept up with entwined copper wires. The installation is accompanied by 2 films.
Apart from triggering my hay fever in sneezing several times, I could not help but marvel at the beauty of the natural process of it withering away as it dries out and preserves. I couldn’t say whether all the 33,000 were intact but it did look slightly more depleted to images I’ve seen of it beforehand. Funnily enough, Ed who came with me recognised the artist as being one of his friend’s friend.
There is an app available that has a trail of all the 34 gardens with information on each one. The app is available on Apple App Store.
The following are images taken on 16th July 2016:
Friday, 15 July 2016
Edward Onslow Ford - Rowland Hill
Rowland Hill is well known for his work in campaigning for a proposed system of a postal rates that were low and fair as well as prepaid postage stamps with the latter being shunned by the Parliament. His work is well recognised that one of his statue stands at King Edward Street.
The statue created by Edward Onslow Ford was made in 1884 (and 1881). The statue itself is made of bronze and the base of Peterhead granite. It features Hill facing the East dressed in contemporary garments as he holds a pen and pocketbook. On the side of the step that Hill stands on, it features the founders H Young & Co as well as on the other side, Ford’s signature.
It is also one of the “Talking Statues”, a series of statues that speak once tapped with compatible technology. The spoken words were written by Colette Hiller and the words animated by Alan Johnson. You can head down and tap using NFC technology, scan the QR code or type the URL into the phone web browser. You can receive your call from Rowland Hill by typing speak2.co/hill in the web browser of your phone.
The statue created by Edward Onslow Ford was made in 1884 (and 1881). The statue itself is made of bronze and the base of Peterhead granite. It features Hill facing the East dressed in contemporary garments as he holds a pen and pocketbook. On the side of the step that Hill stands on, it features the founders H Young & Co as well as on the other side, Ford’s signature.
It is also one of the “Talking Statues”, a series of statues that speak once tapped with compatible technology. The spoken words were written by Colette Hiller and the words animated by Alan Johnson. You can head down and tap using NFC technology, scan the QR code or type the URL into the phone web browser. You can receive your call from Rowland Hill by typing speak2.co/hill in the web browser of your phone.
"I think it’s a tremendous idea for these august people, whose statues are placed all around London, to suddenly come to life, to actually hear their story and I’m so pleased to do it with Rowland Hill, one of my heroes as a former postman.” - Alan Johnson
Location:
King Edward St, London EC1A 7BA, UK
Thursday, 14 July 2016
RE:VIEW Ghostbusters (2016)
Spoiler below!
The Ghostbusters 2016 film has long been in my mind since the announcement as I’m a huge fan of the film series before it as I grew up repeatedly watching it throughout the 90’s. And I would say that the new admission (well, reboot) delivers on many fronts but could do with some refinement. Thanks to my sis who invited me to go watch an early preview of the film the day before it was actually released.
Expectations versus reality
There were waves of fan backlash mainly due to the fact that
four women made up the Ghostbusters which I never got at all. The first trailer
amassed a majority of dislikes while I found the first trailer to look quite
fun. The arrangements in the trailer itself very much reflected the original
Ghostbusters film and it seemed to me that they were remaking the original film
but with a female cast.
Of course though, no one should judge a few minutes of a trailer to the full scale of a film that is 1 hours 45 minutes long. I found myself really enjoying the film but it does not live up to its original predecessor but I would say it did a pretty darn good job at doing it.
Frights, action and special effects
I jumped right out of my seat at the beginning of the film
when the first paranormal hit came out expectedly and unexpectedly in the
Aldridge Mansion Museum. There are further frights which I expected but
unexpectedly realised how it made me jump out of my skin again at the Museum as
a ghost face’s countenance changes from sinister to malevolence. There was also
another scene with Patty and a room of mannequins which was enough for me to
get me moving and found it really unsettling when one of the mannequins turned
its head.
The underlying messages
It’s hard to say where the distinction lies between on talks
of gender as how is it plausible to define a characteristic or trait to a
generalised group when each could offer a unique insight and visions as shown
in all four of the Ghostbusters. That being said, there are actually jokes
aimed directly at the villain Rowan’s groin area in the final fight as well as
a mid-credit scene between Holtzmann and her mentor which I found to be unnecessary
in this day and age.
Cameos
Bill Murray’s cameo as a debunker to the works of the
Ghostbusters is not one I particularly liked. His first appearance was on a
television which I would much preferred if it was subtly done in passing which
I would have found to be more effective of a cameo for that particular
character. He makes another further prolonged appearance when he appears at the
Ghostbusters HQ which loses the credibility of his character cameo altogether.
Another miss is Dan Aykroyd’s cameo as a cab driver which think was supposed to
be funny but it wasn’t. Aykroyd’s cameo could have been that much stronger.
Ozzy Osbourne was another cameo that seemed out of place as the producers must
have thought it must be an obligation to stick him after a rock concert with
ghosts wrecking havoc is an obligation.
What do I think as a whole?
I would give it four out of five stars for the relationship
between the Ghostbusters as well as Kevin and the importance of the underlying
message, mostly great cameos, and a lot of laughs and a bit of scares to be had.
It could do some refinement on what the ghosts would look like as well as the
quality of the streams from the equipment. The humour could do with changing up
as well as not all of it was all that funny unlike the original Ghostbusters
which had all the right laughs in all the right places. I'm still undecided though as to whether I like this more than the original but but I'm definitely worth
another watch at the cinema for me.
The Ghostbusters 2016 film has long been in my mind since the announcement as I’m a huge fan of the film series before it as I grew up repeatedly watching it throughout the 90’s. And I would say that the new admission (well, reboot) delivers on many fronts but could do with some refinement. Thanks to my sis who invited me to go watch an early preview of the film the day before it was actually released.
The plot follows 4 women: 3 physicists and a streetwise
lassie. Together they have to try and figure out why ghosts are cropping up in
Manhattan.
Expectations versus reality
There were waves of fan backlash mainly due to the fact that
four women made up the Ghostbusters which I never got at all. The first trailer
amassed a majority of dislikes while I found the first trailer to look quite
fun. The arrangements in the trailer itself very much reflected the original
Ghostbusters film and it seemed to me that they were remaking the original film
but with a female cast. Of course though, no one should judge a few minutes of a trailer to the full scale of a film that is 1 hours 45 minutes long. I found myself really enjoying the film but it does not live up to its original predecessor but I would say it did a pretty darn good job at doing it.
Star characters
Standout characters for me were Holtzmann (Kate McKinnon)
followed closely with Patty (Leslie Jones) and Kevin (Chris Hemsworth).
Holtzmann’s eccentricity with a lot of quirks that comes with it making her one
of the most memorable characters in the film. Patty herself has (literally) a
loud personality as well as a relatable one at that as well with a lot of the
laughs coming from her. Kevin is the hot-totty-that-isn’t-always-with-it and
his performance I found was absolutely brilliant. That being said, I thought
the camaraderie between the other two main characters Erin (Kristen Wiig) and
Abby (Melissa McCarthy) played off each other and made the film that much more
important than it would be coming to the end.
A lot of humour actually comes through with these characters
especially from Kevin who is a surprise for me as Hemsworth really done a great
job with his character. Not all of the humour was particularly on par though
such as the scene of the meeting with Thomas Shanks (Abby and Holtzmann’s boss
and ex-boss) who plays out jokes that have already become too clichéd and completely
misses the boat with the audience and myself as I found in the screening room.
Frights, action and special effects
I jumped right out of my seat at the beginning of the film
when the first paranormal hit came out expectedly and unexpectedly in the
Aldridge Mansion Museum. There are further frights which I expected but
unexpectedly realised how it made me jump out of my skin again at the Museum as
a ghost face’s countenance changes from sinister to malevolence. There was also
another scene with Patty and a room of mannequins which was enough for me to
get me moving and found it really unsettling when one of the mannequins turned
its head.
With more technology at hand, the Ghostbusters this time
round seem to get more action with what they’re able to do. One of the most
brilliant scenes was Holtzmann’s two stream guns scenes see her perform
acrobatics all over the ghosts which was magnificently done. The new equipment
they have are geared nearer to combat as Abby sports a ghost punch device,
Patty a ghost shredding device and Erin a Swiss army knife which actually comes
in handy with ghosts. The special effects though did not take away from any of
the scares that the film was gonna pull.
The special effects on the other hand seem to take more of a
cartoonish vibe to it which includes the glowing tint of the ghosts as well as
the streams coming from Proton Packs. What I seem to have gathered from the
film though is that the ghosts have different visibilities and I’m wondering if
these ghosts could come in a lighter shade or glow, especially that the film
shows that the ghost can take on many different physical forms and not just
physical objects.
The underlying messages
It’s hard to say where the distinction lies between on talks
of gender as how is it plausible to define a characteristic or trait to a
generalised group when each could offer a unique insight and visions as shown
in all four of the Ghostbusters. That being said, there are actually jokes
aimed directly at the villain Rowan’s groin area in the final fight as well as
a mid-credit scene between Holtzmann and her mentor which I found to be unnecessary
in this day and age.
There are important underlying messages embedded into the
film which becomes thematic in a sense of family. Of being able to rely and depend
on each other in that moment of need, which pretty much sums up this film.
Moments like these are like when Erin tells her story of seeing a ghost at the
foot of her bed for two years and her parents did not believe her and actually
sent her to therapy for many years after (a very deep moment!) and the others
showed an understanding and empathy towards her. Another highlighted example of
this is when in the final fight sequence that Erin jumps into a vortex to save
Abby’s life with not a moment’s notice, which showed that deep bond that they
share with one another.
Another message I found which can be relatable to many is to
work hard to achieve what you want, which is something the Ghostbusters face many
of an occasion due to many obstacles in their way, especially with Erin who
seems to fight for that acceptance more than the others. Rowan seems to be the
antithesis of this as he poses the opposite to the Ghostbusters which is very
fitting in this circumstance as he has lost hope for himself and the human
race. There was a moment where Abby tried to reason with him saying that there
is a lot to fight for with her first thought being food (running theme for her).
Cameos
Bill Murray’s cameo as a debunker to the works of the
Ghostbusters is not one I particularly liked. His first appearance was on a
television which I would much preferred if it was subtly done in passing which
I would have found to be more effective of a cameo for that particular
character. He makes another further prolonged appearance when he appears at the
Ghostbusters HQ which loses the credibility of his character cameo altogether.
Another miss is Dan Aykroyd’s cameo as a cab driver which think was supposed to
be funny but it wasn’t. Aykroyd’s cameo could have been that much stronger.
Ozzy Osbourne was another cameo that seemed out of place as the producers must
have thought it must be an obligation to stick him after a rock concert with
ghosts wrecking havoc is an obligation.
Harold Ramis’ statue of his head makes an appearance near
the beginning of the film which was a nice touching tribute. Other great cameos
come from Sigourney Weaver as Holtzmann’s mentor and Annie Potts as a Hotel Desk Clerk. A really
good cameo came from Ernie Hudson as the uncle of Patty’s that has been
elusively mentioned throughout the whole film and a face palm moment when you
should have realised it would be him.
What do I think as a whole?
I would give it four out of five stars for the relationship
between the Ghostbusters as well as Kevin and the importance of the underlying
message, mostly great cameos, and a lot of laughs and a bit of scares to be had.
It could do some refinement on what the ghosts would look like as well as the
quality of the streams from the equipment. The humour could do with changing up
as well as not all of it was all that funny unlike the original Ghostbusters
which had all the right laughs in all the right places. I'm still undecided though as to whether I like this more than the original but but I'm definitely worth
another watch at the cinema for me.
Tuesday, 12 July 2016
Tech Talk: Windows 8.1 - Internet Explorer 11 (desktop version)
Internet Explorer 11 is the last in its line before Microsoft
launched the Edge web browser for the Windows 10 operating system. IE 11 came
in two versions for Windows 8.1 with the modeless version and the desktop
version. I’ll be going over the desktop version and you can check out a
previous post on the modeless version.
The back and forward buttons were made exponentially larger
for this model with their rest looking minimalistic, I guess to add more
emphasis on the viewable content on the screen. The search bar contains allows
searches to be done directly with the assigned search engine as well as for the
use of entering web addresses directly.
Just like any other modern web browser, this is no different
as tabs are a must for convenient and quick page jumping and navigation. IE 11
can open up an unlimited amount of tabs which can all be reordered by dragging
the tab between tabs – so meta!
On the right-hand-side is the Home button for quick access to
the saved home page, Favourites button for your online clippings and the Tools
button to customise the experience and settings as well as to bring up the developers
tools for the technical developers out there.
I’m gonna miss the good ol’ Internet Explorer but even
Microsoft knows that it has run its course so I’m really excited to go through
their new browser in an upcoming post.Monday, 11 July 2016
Frank Dobson - London Pride
The London Pride is a bronze-cast sculpture created by Frank
Dobson to celebrate the Festival of Britain in 1951 and commissioned for the
Festival, which was chosen by the Festival Design Group with assistance from
the Arts Council of Great Britain. The sculpture originally formed as part of a
series of sculptures created by over 30 leading artists of that time.
It was given by Mary Dobson in 1987 and unveiled with a new
slab as a permanent public installation on Thursday 10 September 1987 by Ronald
Grierson, Chairman of the South Bank Board. It is now situated outside the
National Theatre on the South Bank in London. The sculpture is listed as Grade
II.
Running on a theme of leisure, Dobson adopted the use of
plaster and finished with gun-metal, due to budgetary constraints required for
bronze. With assistance from his students, he developed the full-scale clay
models at the studio of the Royal Academy of Art. The sculpture was then placed
outside the Royal Festival Hall’s Belvedere Road entrance.
Once the Festival came to an end, the work was placed into
storage until 1986 when Dobson’s widow Mary decided to give the sculpture to
the Arts Council to recast in bronze. The casting was done by Morris Singer
Foundry and funded by Lynton Property & Revisionary Plc and The Henry Moore
Foundation.
Cast in bronze from the original plaster, the work features
two nude female figures with a bowl as they both sit on a raised plinth, which
form as a reminder of the event that took place on the very site over 50 years
ago. The work was to feature the plant Sacifraga Urbium, hence the name given
to the sculpture. The inscription carved by David Kindersley reads:LONDON PRIDE
FRANK DOBSON CBE RA
1886–1963
Commissioned for
THE FESTIVAL OF BRITAIN 1951
GIVEN BY MARY DOBSON 1987
AND PLACED ON THE SOUTH BANK
Assisted generously by Lynton Property & Revisionary Plc and The Henry Moore Foundation
ARTS COUNCIL OF GREAT BRITAIN
Monday, 23 May 2016
Enzo Plazzotta - Young Dancer
Plazzotta's Young Dancer can be found on Bow Street, opposite the Royal Opera House and around the corner from Royal Ballet School on Floral Street. The bronze cast depicts a girl tying the lace on her ballet shoes. The sculpture was erected by the Westminster City Council in association with the Plazzota Estate and unveiled on 16th May 1988.
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